Dear friends, here's a new review of work on the second Stefano Fasti nosound in the study, published in OndaRock and Wonderous Stories:
Nosound are back, three years after the debut of "Sol29. The first news is immediately noticeable that we can now speak and write in the plural: the Nosound of "Lightdark" (accepted in the sophisticated team of Burning Shed) did not exist when "Sol29" came to life. Nosound amounted to Giancarlo Erra's solo project, guitarist / keyboardist able to compose symphonies small minimal, never follow the transport to the solo that often so the keyboard as the guitar, all too frequently, can not resist. But through years of experience live, Erra has found new chums (never simple soldiers) are able to share that idea and implement it with a musical sound finally complete, but without distorting the initial application.
And so in every fold, in every crevice of "Lightdark, in every shade of color turns out to be the actual essence of a formation that does not deny its influences and who seeks, in its way, its own way of expression without the emphatic desire to dazzle with special effects. A judge this micro-universe is full of psychedelic minimalism, capable of buoyancy as descendants of rarefactions, inaugurating a unicuum where the melancholic is perhaps the hallmark. A concrete case of syncretism between the No-Man, Bark Psychosis, Pink Floyd, Brian Eno (with Moebius and Roedelius), David Sylvian, Steve Hogarth of Marillion, Sigur Rós, yield more concrete by the cohesion between the members of the group.
The propulsion of pure rock Floyd "Places Remained" give the initial and tear open, like a knife, a wound in the fabric on which an emotional song cardinal as "Someone Starts To Fade Away" (with Tim Bowness of No-Man on vocals) spreads, with making persuasive, handfuls of salt. The legacy of the best progressive (not a rhetorical figure consisting of the "cauldron progressive," but the true essence of progressive, with the amazing emotional, not technical noise) explains its wings in a long "From Silence To Noise", rising to levels not exactly the usual prog and at the same time, inconceivable post-rock (whose shores are lapped by the well Nosound): reminiscences of things, hours, days, faces, innocent dreams may never be forgotten, but buried by the weight of years, but tangible in the colors and smells, they reappear in the form ghost guardians.
sylvianiche The evaporation of "The Misplay" (and the piano and cello, which gives them the breath of life) and then propel the memories in a timeless limbo of the past where the river is lost in a thousand streams of possible futures. Then forcefully "Kites", another track capital, reveals a whole idea, a vision, a way of thinking about music that is not afraid to expose themselves to the wind, currents, comparisons, without the fear of this permanent exhibition of feelings and without any shame for this nakedness of the soul. "Lightdark" also knows how to be gracious and instead of leaving the listener in this state of sensory emotion, you know give the peace with a title track which is an invocation to the ambient upper echelons of the cosmos.
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